Capable of a nice 24 x 36 inch wall display, which really is remarkable at this ISO. Compared to AVCHD, the regular MPEG-4 files are a bit less efficient in their use of memory card space for a given image quality level, but are more widely supported, and are often a bit easier for older computers to play. The Sony RX1R II is the kind of camera that turns heads. At least for the sort of photography I'm interested in, the positives vastly outweigh the few negatives. I mean, with a tack-sharp f/2.0 lens and ISO 6400 that'll make decent 11 x 14 inch prints, who needs a flash? Say what? A friendly place to enjoy the company of other RX shooters, and those with an interest in the RX series of cameras. The Sony Cyber-shot RX1R doesn't replace its near-clone the RX1, but sits alongside it at the top of Sony's Cyber-shot lineup. There are video-specific Program Auto, Aperture Priority, Shutter Priority and Manual Exposure modes that must be activated from the "Fn" menu, and can only be activated if the top dial is set to Movie mode, as indicated below. Images from the RX1 can be put up against those from literally any 35mm-sensor camera currently on the market and they hold their own, if not better the competition. For me, that's something that happens all too seldom, and is an accomplishment of the highest order. Both the RX1 and the RX1R are fixed lens compact cameras that are equipped with a full frame sensor. The NEX-7's smaller sensor size is also revealed as ISO rises, as its noise suppression cranks up to deal with difficult areas of the mosaic image. The former helps you capture sharp images when shooting hand-held in low light conditions. It wasn't so long ago that pro and intermediate photographers, in addition to their professional gear, would carry good quality, pocketable cameras, such as the Olympus XA or Stylus, which had fixed 35mm lenses and took full-frame 35mm film. Its fixed prime lens means you have to "zoom" with your feet, but it's a great focal length for street photography, and the camera's 24-megapixel sensor means digital zoom produces images with enough resolution to make good-looking prints at reasonable sizes (fine-looking 8 x 10s at a 2x zoom, for instance). There are plug-ins out there to fix rolling shutter when editing your footage on the computer, but software correction is not a surefire solution. Holding the camera in my hand, the slight lip and frictive surface of the textured rubber grip on the front provided good purchase for my fingers, and the raised thumb ridge on the back worked pretty well too. If you want to avoid the issue entirely, you're going to have to turn shading compensation off, even if you're shooting RAW, and then handle any shading corrections in Photoshop. Changing shadows could confuse a contrast-detect AF system, but again, the subject was moving very slowly.) In creating the lens for the RX1, Sony's lens designers took an approach we're seeing more and more lately, taking advantage of the ability to correct images digitally to allow more latitude in some aspects of the lens design. (Not a significant criticism; both cameras do remarkably well at ISO 3,200). ... With the RX1, Sony fused these two polar opposites in a collision of photo-epic proportions. If it bothers you, you're going to have to give up some sharpness to get rid of it, since the only cure is an image with less high-frequency detail. Going up against the Sony A99 (which uses a variant of the same sensor), coupled with our very sharp Sigma 70mm f/2.8 lens, the Sony RX1 is noticeably sharper, particularly in the mosaic bottle crop and in the pink fabric. What's perhaps most exciting about the Sony RX1 is the way it completely redefines expectations of what a compact camera can accomplish. They chose just the right focal length for the traditional street photographer -- 35mm -- and made the lens as fast as they reasonably could while maintaining a very small size. While the Sony RX1's optional Zeiss viewfinder is a beautiful piece of optics, I still honestly didn't see the appeal of it. To make it easier to see the problem, as well as to demonstrate that it wasn't caused by our lighting, senior tech Luke shot two images within less than a minute of each other -- one with the camera positioned grip-up, the other with it mounted grip-down, pointing at the same target. This was a little hard to believe; perhaps our human features and clothing were just too subtle for the camera to lock focus on -- would higher contrast and sharp detail help? The controls of the Sony RX1 continue the sense of quality, with just the right balance between stiffness and ease of use. I wish this last were otherwise, but the demands of modern autofocus mean there's just no way a focus ring could be direct-coupled and have the buttery smoothness of old MF lenses without auofocus being unbearably slow and power-hungry. The higher frame rate helps reduce the rolling shutter effect. These may help a little, but still won't adequately prepare you for the first time you see and hold the RX1 for yourself: It's hard to imagine how Sony's managed to cram a full-frame sensor in there, let alone designed a lens that small that can cover it. Chad has been writing for me on and off for years now and I always enjoy his thoughts and views on these Sony products. 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